There once reigned in Mithilā a king, named Suruci. He had a son also called Suruci-
Then Sumedhā vowed an Act of Truth; Sakka’s throne was heated, and he asked the god Naḷakāra to be born as Sumedhā’s son. Naḷakāra reluctantly agreed. Then Sakka went to the king’s park disguised as a sage and offered to give any woman who was virtuous a son. “If thou seek virtue, seek Sumedhā,” they said. He then went to the palace, and having made Sumedhā declare to him her virtue, he revealed his identity and promised her a son. In due course a son was born — Mahāpanāda. He grew up amid great splendour, and, when he was sixteen, the king built for him a grand palace.
It is said that Sakka sent Vissakamma as mason to help with the building. When the palace was completed, three ceremonies were held on the same day: the dedication of the palace, Mahāpanāda’s coronation and his marriage. The festival lasted for seven years, and the people began to grumble; but the king would not bring the festival to an end, for all this time Mahāpanāda had not once laughed, and the king said the feast could not end until he was made to laugh. Various people came to amuse him, among them two jugglers, Bhandukaṇṇa and Paṇḍukaṇṇa; but it was not until Sakka sent a divine dancer to dance the “Half-
The story was related on the occasion on which the Buddha gave Visākhā eight boons. One night there was a great storm, and the Buddha asked the monks to drench themselves in the rain as that would be the last great rain storm in his time. Together with them the Buddha appeared at Visākhā’s house, but as soon as they arrived on the threshold they were quite dry.
Bhaddaji is identified with Mahāpanāda, Visākhā with Sumedhā, Ānanda with Vissakamma, and the Bodhisatta, was Sakka. J.iv.314‑25; cf. DA.iii.856 f; and J.ii.334.